The Funkybat Store launches today!

Huzzah! Today I wish to invite everyone to check out my latest online creation, The Funkybat Store! This is my (for now) modest storefront on the web, offering some of my more popular merchandise which was once available only at WonderCon and APE. Now my creations are available for sale 24/7/365! I've got my T-shirts and stickers and some magnets right now, and I plan to offer prints of my illustrations in the future.

Go to funkybat.bigcartel.com to pick up what you missed from the cons! I'd love to hear feedback from customers & potential customers on what they'd like to see added, after all this store is for all of you as well. I'll be revising it as I go along, as I'm new to the online retail scene.

Next thing on the horizon will be an *all new* Funkybat.com. I'll be launching a revamped version of my site later this month, I'll keep everyone posted via this blog and my Facey Spaces and other social media. I'll also be uploading a lot of new stuff I haven't put out anywhere online as well. In the meantime, check out the store:

funkybat.bigcartel.com

Wondercon - it's that time again...

Spring is here, and as often follows here in San Francisco, Wondercon is soon to follow. I will once again be selling my wares in the Small Press section, table number SP50. Come by to see my newest work, as well as a chance to pick up that favorite print or T-shirt that you spotted after you ran out of cash last time. I'll be premiering a new series of themed prints, as well as some new standalone creations. I'm looking forward to showing my stuff and picking up some new work by the multitude of artists I both already know & discover anew each time I go to one of these gigs. Hope to see you there!

Digging D.C.

Enjoying the familiar sights and seeing old friends back in D.C. One thing I always miss out in S.F. is the multitude of *free* museums that Washington has to offer. One particular item I've wanted to see for a while is up in the Smithsonian's American History Museum:

























Yes. The "painting within a painting within in a painting" of one Dr. Stephen T. Colbert, D.F.A. that once hung over his TV show "fireplace." I was psyched that a phony painting of a phony pundit would actually make it into the Smithsonian, especially since he's one of my favorite humorists. (The "painting" was actually created via digitally photo alteration - I was hoping for at least acrylic.)

Aside from that, there were lots of other new exhibits that I'd been looking forward to, including a big section on the history of various forms of transportation and highways/railways, and a coin and bill exhibit that included an actual $100,000 bill. I suppose before reliable wire transfers, you had to shuffle your promised "gold" around one way or another. Oddly enough, in the transport exhibit I learned a lot about the history of the Port of Oakland and its transition from longshoremen to containerization.

Anyhow, I love D.C. and miss my friends here, but after a couple of weeks I'm looking forward to getting back home (though not to the rain.)

Thoughts on CTN Expo

This past weekend, I attended my first CTN Expo down in Burbank. For those of you who may not know, CTN is a three-day animation-focused convention, mainly for animation professionals & students (though there seemed to be a fair around of just plain fans there, too.) It's what I imagine Comic Con was about 15-20 years ago. Just artists meeting and sharing their work and having the kinds of discussions many of us just never have the time or opportunity for.

Since this was only the second CTN Expo ever, it was cool to see it in its early stages, without all the corporate hype that surrounds Comic-Con and WonderCon. (However, GM apparently wanted to be first on what they think will be the next bandwagon, and had costumed elves handing out T-shirts. They were the only people in costume and completely stuck out of the crowd.)

Even though I could only make it fro Friday, it was still well worth it. Ran into several old buddies I hadn't seen in a while, and got some good info from people at Disney (both TV and feature) and Sony animation. There was a pretty interesting talk given by Sergo Pablos, the creator of the characters and initial story that would become "Despicable Me." He had some great 2D concept art that he'd created to pitch what he called "Evil Me" to the studio, and while a lot was changed from his initial version, the core of everything was there. Funny to see it in 2D, and in a somewhat different art style than what showed up in theaters.

I also saw a talk about the new "The Looney Tunes Show" series, which was enlightening if not somewhat dismaying. I understand that the Looney Tunes characters are WB's "evergreens" and that they don't want to let go of them, the fact is there have not been too many truly great iterations of those characters since Termite Terrace shut down (and even in the waning days of TT, things were going downhill.) I do think that this show has the potential to be the best "spinoff" of those characters since Tiny Toons, but we're not talking about related "children" of the classic characters, but the characters themselves. What gives me any hope is that the crew spend 2-3 years going through several iterations that probably wouldn't have worked before arriving at what they have now, and that they purposely moved away from cutefying or kiddifying them, but instead grounded them firmly in adulthood. I remember avoiding "Baby Looney Tunes" like the plague, and this show seems to swing almost entirely away from that approach. I do like the character designs, they make the characters look distinct from the originals, without bastardizing them like.......well, we won't even bring *that* up!

So, CTN; it was a blast, gotta do the whole three days next year. Here's hoping it stays popular within the animation community, without becoming a lookie-loo show overloaded with vaguely-related things like Comic-Con, which is at this point, frankly, a beast. CTN Expo is a great place to just network and buy cool art and hear what's going on in our industry, and I for one couldn't be happier that it's taken off!

Destination: APE

Sorry for the lack of posts lately, I've been pretty busy with my latest art gig, as well as completing my multitude of new pieces in time for APE. Yes, it's that time again! Alternative Press Expo is back at the Concourse Exhibition Center in S.F. Come out to see me and lots of other fantastic comic and animation artists October 16th and 17th. I love APE because it's way less crowded or intense than Comic Con or even WonderCon, and it doesn't have all of the pop-culture/Hollywood stuff that has increasingly become the focus of the other two shows. It's all about the art!

I'll be at Table #539, toward the middle of the exhibit hall. I've got a lot of new stuff, including greeting cards, magnets, T-shirts, and a bunch of new art prints. Just look for the purple table and big black Funkybat sign! See you there!

The Secrets of the Transbay Terminal!

As many of you may know, I'm something of a history buff, especially when it comes to 20th Century commercial or public architecture. So you can imagine how excited I was when i stumbled upon a news story detailing the "hidden history" of San Francisco's Transbay Terminal.

Originally built in the Depression, as a kind of Grand Central Station for buses and trains crossing the new Bay Bridge, in recent decades it has become a run-down blight, serving just as much as a homeless shelter as a bus terminal. It's slated to close down in a few days, and as part of the preparations for its demolition, CalTrans crews have uncovered some of the long-lost amenities of what was supposed to be a vibrant crossroads for commuters and travelers.

CalTrans workers gave a one-day-only tour of these "secret" spots, and I made sure to make it over there despite short notice! The tour started off in the old bar, a throwback to the 50s if ever I've seen one. Most of the furnishings had been removed, but you could feel the "spirit" of a bygone age coursing through it. The low lighting helped add to the spooky mood, leavened only by the crowds of living people now poking their heads in for the first time in three decades.

Next we saw the old jail, originally intended to hold train robbers (!) and other troublemakers until SFPD could come collect them. Seemed more like something out of the Old West than the 1930s...

After that, we saw a number of photos of the terminal in it's "glory days," complete with newsstand, shoe-shine station (which was there but I sadly missed) and train after train pouring into and out of the upper level. Yes, what many folks know only as an epically creepy and loud bus depot was once intended for both commuter trolleys like the Key System and Southern Pacific's electric trolley systems. WWII, and then, scheming by the automakers, tire & oil companies managed to do away with that. (Within 5 years of the end of the Key System, people began clamoring for a replacement, thus, we got BART. Might have been easier to leave the original rails alone, eh?)

The tour ended at the old diner, a wonderful, authentic time capsule of an old-fashioned greasy spoon. The tour organizers had set up a projector, playing on loop an old movie from the 40s talking about the history of California, and how it has now led to this "wonderful new terminal!" The end featured a bit of animation (from I believe Warner Bros. "Termite Terrace.") with the apparent mascot of the Key System talking about the glorious present and future of the system. Had some great retro-future concept art for luxurious trolleys to come, ideas I'm sure that had more to do with the imaginations of the animators than anything concrete that the Key System ever planned to do! More pics are below...

Overall it was a fascinating glimpse of what the Transbay Terminal was *supposed to be* and was all the more sad seeing from this day and age how much it failed to serve it's intended function, though not entirely by fault of its own. I hope the new Transbay Terminal serves as a better "Grand Central" to San Francisco and the region.

In the thick of it at Comic Con

Though many have given up, amid the ever-growing hype and throngs of crowds, I am one again here at Comic Con in San Diego! For me, Comic-Con has gotten "off-message" compared to smaller Cons, and I worry the same thing is happening to WonderCon, but for me they are all still tremendously fun and exciting. I mean, where else can I go to see Scott Bakula in a Quantum Leap retrospective, meet the guys from Look Around You, and Penn & Teller all in one place? (Oh, and get some free ice cream being given out by the guy who plays Master Shake & The Alchemist?) Not to mention the chance to run into many other animators, both old friends and new.

I would say this year is actually a little less crazy than last year, perhaps enough people got fed up that it reduced attendance a bit. Well, it's only Thursday, I'm sure the next couple of days will be in-sane...

Anyway, off to the next panel. Till then...

Futurama's back with a blast (or 5)!

Last night was a momentous occasion, the return of new episodes of Futurama! Though I see there are some new folks writing for the show, the two episodes felt like they were in fine form compared to "classic" Futurama. The first episode was kind of manic, mainly because of trying up the loose ends from the end of the last "movie."

The only downer for me was that it appears there is no (legal) online streaming of the new episodes, both Comedy Central's site and Hulu had no indication of planning to offer Futurama episodes. Futurama is basically the only reason I have not cancelled my cable, everything else I regularly watch is either on broadcast or streamed online, and the PC-to-TV streaming box I recently got means Hulu on my big-screen LCD instead of sitting at my PC. C'mon Viacom, get on the ball here. Futurama is a geek show, and geeks are watching online these days...

In any event, it's great to see the Planet Express crew back at it (with all their voices intact too!)

Huzzah!

WonderCon was a blast!

Hey everyone,

I'm still unwinding from my first time exhibiting at WonderCon, and I will just say that I had a great time. Ran into a lot of old friends and met some new people as well. My "Two-Dee's" logo seemed to be very popular! Nice to know 2-D aficionados are still out in force at these cons...

Below I've included a few of my other recent designs. I plan to have a lot more illustrations, as well as a book of my sketches at APE. I'm also looking into setting up a store on my site so that folks don't have to wait until the convention to pick up one of my T-shirts or illustrations. I'll keep ya posted, but in the meantime, I'm just glad to have gotten my WonderCon presence established. See everyone there next year!

2D on the ropes again already?

After the toure de force that was "Princess and the Frog" I really thought it would be a while before the rumblings of a pullback in 2D features would be heard again. You know, like maybe 4-5 years at least?

Apparently studio honchos feel that even though it made $100 million, P&tF was a "disappointment" at the box office. Now the plug has been pulled on "The Snow Queen," what was to be the 3rd 2D film in this nascent renaissance for traditional Disney animation. Much of this is outlined in the story below:

http://showbiz411.blogs.thr.com/2010/03/02/princess-and-the-frog-may-be-last-tune-for-disney/

I have read and heard elsewhere that the Winnie the Pooh 2D feature is still a go, but that at this point, nothing else is really in the pipeline. I'm hoping that John Lasseter and other 2D-friendly directors & animators in positions of influence can keep this train on the tracks.

It was absurd of execs to expect Princess and the Frog to pull in Lion King numbers, it was the first 2D Disney film in years, and the first one in almost a decade anyone really cared about. I saw P&tF 3 times in theaters, and at two of those screenings there was cheering and clapping at the climax and as the credits began to roll. I haven't seen audience reaction like that in a Disney 2D film since Lion King. This film is very well loved by those that saw it, young and old alike. Frankly, with the female focus, it's impressive that this film earned what it did, considering a good number of young boys probably opted out. A film like Mulan or The Little Mermaid would have been a better benchmark for BO comparison than Aladdin or The Lion King.

It's important for anyone in any position of influence in the industry to push hard against this sabotage of the rebirth of 2D. Hand-drawn animation was always the primary creative medium of Walt Disney's empire, the wellspring of most of the shows, rides, and other fantasies that were born from the studio. Disney needs to ease in to reintroducing 2D features to today's kids. Older kids and teens probably have a bias against 2D to some extent, but adults fondly remember the magic days of Disney and will definitely pay to renew those fantasies for their children. Let's not give up before we've even started...